帕皮提尔及其重演（2023）
实验影像 x 身体剧场
“可曾感到恐惧清晰 去忍受着 去承受”
2023.12.8 20：00 中国美术学院良渚校区8#-210
这是一次情感大于叙事的展演实验。在面对恐惧与被恐惧支配的过程中，探索一种生活方式。
木偶芭蕾女孩厌恶着自己光鲜亮丽的一切，特别是花朵，她无法对这种植物的生殖器官感到欣赏，只觉得恶心甚至恐惧。某天当她发现自己的身体不再受人控制时，她决定做一回自己。她扔掉皮鞋，举办生日狂欢。宴会上一束鲜花的到来让她的身体不受控制，她忍着恶心接过鲜花，表演得天衣无缝，她又变回那个完美的芭蕾木偶。宴会落幕，她无法接受自己脆弱的人格，面对花（恐惧）的控制，在忍耐与挣扎中死去……
重演作为《帕皮提尔1.0》的深化展演，在更大的空间中编排，演员也由1人增加至3人。将窦唯的歌曲《主》的歌词作为叙事主题，结合空间投影、混音和电音，以门为线索，试图讨论面对命定的困境的恐惧与挣扎。
PUPPETEER and its reenactment （2023）
Experimental Video x Physical Theatre
"Have you ever felt the fear so vivid, enduring it, bearing it…"
2023.12.8 20:00 China Academy of Art Liangzhu Campus 8#-210
This is a performance experiment where emotion is greater than narrative. Discover a way of life in the face of fear and being dominated by fear. The puppet ballet girl hates everything that is bright and beautiful about herself, especially flowers. She cannot appreciate the reproductive organs of this plant, and only feels disgusted and even afraid. One day when she discovered that her body was no longer under the control of others, she decided to be herself again. She throws away her leather shoes and throws a birthday bash. The arrival of a bouquet of flowers at the banquet made her body uncontrollable. She endured nausea and took the flowers. She performed flawlessly and turned back into the perfect ballet puppet. When the banquet came to an end, she could not accept her fragile personality, faced the control of the flower (fear), and died in endurance and struggle...
As an in-depth performance of "Papitir 1.0", the re-enactment is arranged in a larger space and the number of actors is increased from 1 to 3. Using the lyrics of Dou Wei's song "Lord" as a narrative theme, combined with spatial projection, mixing and electronic music, and using the door as a clue, it attempts to discuss the fear and struggle in facing the predicament of destiny.
Touch Designer & Resolume Arena
算法的随机性给创作提供了丰富的可能性。让客观存在的图像呈现出奇特的视觉效果，体现出一种不确定性和梦境感。
The randomness of the algorithm provides rich possibilities for creation. Let the objectively existing images present strange visual effects, reflecting a sense of uncertainty and dreaminess.
字体整体结构呈纵长形，长方结构以表现提线木偶的牵引之感。字体笔画线条用细细的枯笔勾勒，燥中带润、刚柔并济，起笔和笔画重叠处做了较粗的设计，粗细对比表现木偶的关节感。
The overall structure of the font is vertical and rectangular to express the feeling of the puppet's pull. The strokes of the font are outlined with thin dry brushes, which are dry yet moist, both hard and soft. The overlapping strokes and starting strokes are thicker, and the contrast between thickness and thickness expresses the joints of the puppet.
郑智方|邓慧玥|傅新羽
特别出演：李锐冲
字体设计：李佳琦
特别感谢：中国美术学院社会与策略研究所
片头素材：《 两生花 》 (1991)
All rights reserved
© Group Not Yet
Zheng Zhifang | Deng Huiyue | Fu Xinyu
Special appearance: Li Ruichong
Font design: Li Jiaqi
Special thanks to: Institute of Society and Strategy, China Academy of Art
film clip: La double vie de Véronique